Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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MAZO, Juan Bautista Martinez del
The Artist's Family yu

ID: 08161

MAZO, Juan Bautista Martinez del The Artist's Family yu
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MAZO, Juan Bautista Martinez del The Artist's Family yu


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MAZO, Juan Bautista Martinez del

Spanish Baroque Era Painter, ca.1612-1667  Related Paintings of MAZO, Juan Bautista Martinez del :. | The Empress Dona Margarita de Austria in Mourning Dress h | Infante Don Baltazar Carlos sth | View of Saragossa sgj | The Hunting Party at Aranjuez | The Artist-s family |
Related Artists:
Johann Gottfried Steffan
1815-1905 Swiss painter. He moved to Munich in 1833 after an apprenticeship as a lithographer in Wedenswil. He studied at the Akademie der Bildenden Kenste and the Polytechnikum in Munich. He was impressed by Carl Rottmann's Italian landscapes and decided to devote himself to landscape painting. He travelled to Italy in 1845 and to Paris in 1855; he subsequently began to concentrate on painting lake and mountain scenes, for example Lake Starnberg in a Storm (1873; Zurich, Ksthaus), at which he was highly successful. He undertook numerous study-visits to Bavaria and Switzerland, often accompanied by his pupils Traugott Schiess (1834-69) and Otto Frölicher. In Munich Steffan became friendly with Rudolf Koller, Johann Caspar Bosshardt (1823-87) and Arnold Becklin, and under his leadership the 'Schweizer', as these artist-friends were known collectively, formed their own group.
Akfred Diwning Fripp,RWS
1822-1895
Walter Crane,RWS
1845-1915 English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808-59). A series of illustrations to Tennyson's The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks. His early illustrative works included vignette wood-engravings for John R. Capel Wise's The New Forest: Its History and its Scenery (1862).






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